The public image of judges has been stuck in a time warp; they are invariably depicted in the media - and derided in public bars up and down the country - as 'privately educated Oxbridge types', usually 'out-of-touch', and more often than not as 'old men'. These and other stereotypes - the judge as a pervert, the judge as a right-wing monster - have dogged the judiciary long si...(展开全部)

Written when Engels was only twenty-four, and inspired in particular by his time living amongst the poor in Manchester, this forceful polemic explores the staggering human cost of the Industrial Revolution in Victorian England. Engels paints an unforgettable picture of daily life in the new industrial towns, and for miners and agricultural workers - depicting overcrowded housin...(展开全部)

The Condition of the Working Class in England is the best known work of Engels, and still in many ways the best study of the working class in Victorian England. What Cobbett had done for agricultural poverty in his Rural Rides, Engels did - and more - in this work on the plight of industrial workers in England in the 1840s.

【作者简介】 罗斯·金(Ross King，1962—)，加拿大学者、畅销书作家，长期在欧洲和北美讲学。著有《莱昂纳多和最后的晚餐》、《米开朗琪罗与教皇的天花板》、《布鲁内莱斯基的穹顶》（《圆顶的故事》）、《帕里斯的裁判》、《马基雅维利：权力的哲学家》及两本小说《藏书票》和《多米诺》。 【译者简介】 冯璇，北京外国语大学英语学院毕业，曾在出版社从事版权工作，现在专门从事翻译工作，已经翻译出版了《郁金香热》、《美第奇家族的兴衰》、《安第斯山脉的生与死》、《印加帝国的末日》、《布鲁内莱斯基的穹顶》、《皮毛、财富和帝国》、《利维坦：美国捕鲸史》等作品。

Hans Ulrich Obrist has been conducting ongoing conversations with the world's greatest living artists since he began in Switzerland, aged 19, with Fischli and Weiss. Here he chooses 19 of the greatest figures and presents their conversations, offering the reader intimacy with the artists and insight into their creative processes. Inspired by the great Vasari, Lives of the Artis...(展开全部)

汉斯•乌尔里希•奥布里斯特（Hans Ulrich Obrist），1968年生于瑞士苏黎世，伦敦蛇形画廊联合总监，是活跃于当代艺术界的著名策展人和批评家。奥布里斯特迄今曾参与策划和发起了150 多个展览与项目，编撰有70 多本学术著作。著有《策展之道》《关于策展的一切》《策展简史》《做》等。

They are not elegant, nor are they always comfortable. But neither are they mass-produced: they are individual. In China, the objects used for sitting are as manifold as the occasions for sitting. Each chair and stool has its own character, is a companion, a bastard, or a venerable elder. Their occupants sit close to the floor, introspective, watching the world go by, without t...(展开全部)

The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the ...(展开全部)

The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the ...(展开全部)

Barbara Herman argues for a radical shift in the way we perceive Kant's ethics. She reinterprets the key texts, at once allowing Kant to mean what he says while showing that what Kant says makes good moral sense. She urges us to abandon the tradition that describes Kantian ethics as deontology, a moral system of rules of duty. She finds the central idea of Kantian ethics not in...(展开全部)